https://napocaroots.reviste.ubbcluj.ro/index.php/roots/issue/feedNapoca Roots2025-12-30T00:00:00+00:00Napoca Rootscontact@napocaroots.roOpen Journal Systems<p><em>Romanian Orthodox Old Testament Studies</em> – ROOTS – is the first Romanian journal to promote a Romanian Ortodox exegesis which follows the patristic interpretation of the Holy Scripture of the Old Testament.</p>https://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/129Patriarchs – a Type of Man open to the Seeing of God2025-12-29T00:00:23+00:00Ioan Chirilăioan.chirila@ubbcluj.ro2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/130Patriarchs – Biblical Typologies for “Malkut Yahwe”2025-12-29T00:08:06+00:00Ioan Chirilăioan.chirila@ubbcluj.ro<p>The study explores the concept of the Kingdom of God, emphasizing the fundamental role of the biblical patriarchs in this theological narrative. These patriarchs are not just historical figures, but symbols of faith, virtue, and the relationship between the divine and the human, shaping the spiritual ideals of believers. The research analyzes how the Savior Jesus Christ, through his preaching, emphasizes the presence of the Kingdom of God in people's lives, inviting a profound inner transformation. The study also examines Philo of Alexandria's contribution to the typological interpretation of the patriarchs, highlighting the deep connections between the Old and New Testaments. These connections are further illustrated in Christianity by comparing the sacrifice of Isaac with the messianic sacrifice of Christ and by exploring the eschatological contents of divine revelation. Through a detailed analysis of patriarchal figures, this study aims to integrate anthropological and theological perspectives to provide a comprehensive understanding of how these characters not only influence contemporary faith but also enrich individuals' relationships with the divine. Patriarchs, therefore, become models of spiritual conduct, inviting believers to aspire to the ideals of the heavenly kingdom in their daily lives.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/131The Meeting Between Abram and Melchizedek: From Bread and Wine to Peace Treaty2025-12-29T00:13:45+00:00Asnat Klaimanasnatk@gmail.com<p>This study examines the pivotal meeting between Abram and Melchizedek (Gn 14:18–21) within the broader narrative of conflict and resolution. Using a synchronic literary approach, the analysis traces the emergence of the motif of bread and wine from their encounter and situates it within the context of ancient Israelite society. The symbolic roles of bread and wine are examined in mediating relationships between adversaries and in their broader cultural meanings. The argument demonstrates how this episode both concludes the narrative sequence and contributes to the literary construction of Abraham as the founding figure of the Israelite nation.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/132The Sacrifice of Isaac in Byzantine Art – Christological Perspectives of Interpretation2025-12-29T00:17:04+00:00Stelian Pașca-Tușastelian.pasca@ubbcluj.ro<p>This study analyses the typological dimension of the sacrifice of Isaac, son of Abraham, which the Church Fathers consider as a prefiguration of the sacrifice of Jesus Christ. The starting point of the research is the analysis of the Christological interpretations made by some of the most representative Fathers of Christian Antiquity from the 2<sup>nd</sup> to the 4<sup>th</sup> centuries, such as Meliton of Sardis, Clement of Alexandria, Origen, St. Cyril of Alexandria, St. John Chrysostom, and others. They identified in the sacrifice of Isaac a typological perspective anticipating the Savior's sacrifice on the cross. The study also analyses how these theological perspectives influenced Byzantine art between the 6<sup>th</sup> and 16<sup>th</sup> centuries. It focuses on artistic representations from Ravenna, Palermo, and Sicily, as well as relevant frescoes from the Macedonian and Cretan schools. The main objective of this research is to highlight the Christological elements and the interdependence between patristic texts and Byzantine iconography, thus emphasising the artists' ability to offer unique interpretations, while aligning them with the Church Tradition.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/133Jacob Wrestles at Peniel – The confrontation between the “God-Man” and the “man-god” (Gn 32:24-25) 2025-12-29T00:21:29+00:00Ioan Torcoșionicatorcos@yahoo.com<p>The study analyses the fragment from Genesis 32, 24-25, highlighting the spiritual and theological significance of the encounter between Jacob and the “man” who turns out to be God. Through a detailed exegetical approach, the work discerns the narrative's complexity, emphasizing the broader context in which this confrontation is situated. The struggle symbolizes not only a physical confrontation, but also a spiritual journey, as Jacob is challenged to recognize his weaknesses and dependence on God. The study interprets the transcendent side of the encounter, in which the anonymized identification of the “man” emphasizes the fact that divinity has chosen to make itself accessible to man. The struggle becomes a means through which Jacob transforms his identity, moving from self-sufficiency to a profound recognition of his need for divine help. Thus, exegetical observations on the meanings of paronymic words and the connections between the name Jacob and the Jabbok River are explored to highlight the interdependence between man and God. In conclusion, the study suggests that this biblical experience is relevant to meeting contemporary challenges, urging readers to reflect on their own spiritual quest and their relationship with divinity, highlighting that true strength and inner peace derive from accepting dependence on God.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/134The Presence of Patriarchs in the Canon of Saint Andrew of Crete: A Hymnographic Analysis2025-12-29T00:25:27+00:00Daniel Mocanudaniel.mocanu@ubbcluj.ro<p>This study examines the presence and theological significance of the Old Testament patriarchs in the <em>Great Canon</em> of Saint Andrew of Crete from the perspective of Byzantine hymnography. Employing a theological–literary and philological methodology, the research explores how the patriarchs Abraham, Isaac, and Jacob are integrated into a theological discourse of profound moral and symbolic depth, becoming paradigms of repentance, faith, and obedience to God. Through scriptural analysis and comparative study of the original Greek text and its Romanian translation, the paper highlights the poetic and theological expression of the Canon, emphasizing the pedagogical and soteriological value of these biblical figures. From a hymnographic standpoint, the study analyzes the structure of the <em>troparia</em>, the relationship between versification and theological meaning, and the way in which Saint Andrew of Crete achieves a synthesis between the history of salvation and the personal call to <em>metanoia</em>.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/135Jacob’s Journey of Virtue: From Genesis 32 to Hymnography and Philokalia2025-12-29T00:29:09+00:00Ilarion Argatuilarion.argatu@uaic.ro<p>Chapter 32 of the Book of Genesis, through the dynamic presentation of events from the life of the patriarch Jacob, offers an indirect portrait of him, which Byzantine hymnographers and Philokalic writers perceived and developed, presenting it as a model for believers concerned with progress in virtue through a spiritual reading of Scripture. The following pages aim to highlight precisely this threefold perspective (scriptural, hymnographic, and Philokalic) on the moment of Jacob’s return home—upon which he will now receive a new name, Israel—and on the manner in which this return is prepared and unfolds, insofar as the details of these events are relevant to the portrayal of the patriarch Jacob as a model of virtue.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/136Abraham's Son and Sons in the New Testament2025-12-29T00:33:17+00:00Alexandru Moldovanpr.alexandru.moldovan@gmail.com<p>The present study refers, first of all, to the Savior Jesus Christ, Who, according to the human nature He assumed through the Incarnation, was the “son of Abraham” (<em>υἱοῠ Ἀβραάμ</em>), submitting Himself, like His ancestor of old, to the ritual of circumcision (Mt 1:1; Lk 2:21), but also to all the descendants according to the flesh of the patriarch Abraham, who are “according to the nature” (<em>κατὰφύσιν</em>) “sons of Abraham” (Jn 8:33; Rom 11:21). There is, however, another category of “sons of Abraham”: those “of faith” (<em>ἐκπίστεως</em>) that is, “those who do the works of Abraham” or “those who imitate his example” (Jn 8:39), considered by God Himself “righteous” and “father of the righteous” (Rom 4:17; Gen 17:4-5).</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/137Marriage as a Covenant: The Old and New Testament Insights Within the Wedding at Cana2025-12-29T00:38:08+00:00Adrian Vasilepreotadrian@yahoo.com<p>Marriage in the biblical tradition is revealed as a divine institution established from the creation of the world, intended to ensure both the perpetuation of humanity and the communion between man and woman as an icon of God’s harmony. The Old Testament presents marriage as a covenantal reality, marked by the tension between the divine ideal of monogamy and the historical distortions brought by sin, yet always oriented toward the Creator’s original design. The Song of Songs offers a profound theological vision of conjugal love, in which eros, friendship, and fidelity converge in an exclusive, reciprocal relationship, elevating marital intimacy to the sphere of holiness and freedom. The prophetic writings unfold marriage as the privileged metaphor of God’s covenant with Israel, wherein divine fidelity surpasses human infidelity. This symbolism culminates in the Wedding at Cana, where Christ, through the transformation of water into wine, inaugurates the messianic time and raises marriage to the dignity of a sacrament. In this perspective, human marriage becomes an icon of the eternal covenant between Christ and the Church, a space where divine grace transfigures human love into communion with God.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/138From Weight to Worship: The Multifaceted Meanings of Kavod in Biblical and Ancient Near Eastern Contexts2025-12-29T00:42:57+00:00Gabriel Solomonsolomonart@yahoo.com<p><strong><br></strong>This study investigates the term <em>kavod</em>, translated as “glory”, within the Old Testament and its broader implications in ancient Semitic languages. By examining its rich semantic field, the research delineates both the theological and cultural dimensions associated with <em>kavod</em>, which signifies not only divine glory but also human honour and social status. In the Old Testament, <em>kavod</em> encapsulates the visible manifestations of God's presence, particularly during theophanic events, which are represented by light and fire. The comparative analysis extends to other ancient Semitic languages, such as Akkadian, Ugaritic, and Phoenician, revealing a common linguistic root (kvd) that conveys meanings of weight, importance, and authority. This multifaceted nature emphasizes the dual role of kavod as both a reflection of divine majesty and a measure of human dignity, highlighting the interplay between the sacred and the social. The study also explores specific instances of kavod in biblical narratives, illustrating its connections to concepts of power, reverence, and worship. It discusses how human achievements and status are viewed through the lens of divine glory, with implications for social dynamics in Ancient Israel. Ultimately, this research sheds light on the evolution of kavod as a term that encapsulates complex theological meanings while simultaneously underpinning cultural practices related to honour and authority in the ancient Near Eastern context. By doing so, it enhances our understanding of the spiritual and social fabric of biblical society, demonstrating how concepts of glory intersected with collective identity and divine reverence.</p>2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/139Navigating the Landscape of Romanian Old Testament Academic Research2025-12-29T01:03:02+00:00Olimpiu N. Beneanicolae.benea@ubbcluj.ro2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Rootshttps://napocaroots.reviste.ubbcluj.ro/index.php/roots/article/view/140The Old Testament Unveiled – a Critical Guide to its Texts and Contexts2025-12-29T01:06:04+00:00Mihai Botamihai.bota@ubbcluj.ro2025-12-30T00:00:00+00:00Copyright (c) 2025 Napoca Roots